I have arrived at a point again where I am trying to read too many books at the same time. And it causes stress. Every time I sit down I wonder which one I should get into. I worry about reading rates and when I will manage to finish another book so I can blog about (as if anybody cares about that really). Several people read my blog but I am sure no one waits impatiently for the next post.
Whenever this happens, I have to give myself a good kick in the butt and remind myself why I read. Because (1) I love getting into a good story, (2) it’s a way to learn something, (3) it’s a great escape from my day-to-day work life, (4) it’s an exposure to another world, another mind, another way to use language. And in that context, there should be no concern about speed of execution; it should be all about enjoying those moments.
As displayed at the moment on the blog: I am reading Pérez-Reverte’s El tango de la guardia vieja, a good story with some mystery to it. It has what I could describe as a “X” shape construction. It tells a story about two people, a man and a woman, describing in parallel for a while the past life and present predicament of that man. It eventually dips into the past of the woman as well, after they meet again in the present time and start revisiting old times together. So you have the four segments of the “X”, man-woman-present-past, eventually meeting in the middle, where presumably all makes sense (I still have to get to that point) and we can progress to the future, if a (common) future is possible. Nothing is so certain… Both protagonists are rascals of a sort, one with money and one without (I will let you guess which is which), which obviously provides them with different resources and choices in life.
So I am about one third of the way through this fairy large novel, which I suspect is about a 15-hour read. I have also gotten about 20% into the 7-hour long Us Conductors by Sean Michaels, the 2014 winner of the Giller Prize. I have read some of the short list and at least one long listed book, so here we are with the winner. So far, I failed to be entranced by the book and its protagonist, a somewhat self-centered Russian scientist who invented the theremin, this electronic musical instrument that is used for the other-worldly Star Trek theme. This one is on my Kobo, so I have mostly been reading it in public transportation.
It’s been a slow start on Guillaume et Nathalie.
The event of the week is that the new book of poetry by Rafael Courtoisie (Parranda) that I ordered through the Libreria de las Americas in Montreal has finally arrived after a four-month wait. I had called for an update about 2 weeks ago and they told me it was arriving that week, but they did not call me back until Wednesday of this week to tell I would pick up. A big order to unpack perhaps? It is a tiny bookstore with a small staff and not very long opening hours. I dropped by yesterday to get my book, and bought a couple more since I was there (one has to encourage small niche businesses, right?).
Now, look as I may, I cannot find a publication date on Parranda. The front does say that is the winner of the 14th Premio Casa de América de Poesía Americana, but the copyright page does not explicitly say it was published in 2014, save for the legal deposit number including the number 2014. That is not the way it is usually done with other books, so I was puzzled.
So Parranda won a poetry prize for poets from the Americas which is handed out at the Case de América in Madrid. It is published in Spain by what seems to be a fairly small publisher and one whose books are difficult to order in Canada. Rafael Courtoisie is an Uruguayan writer who was recently named to the Academy of Letters of his country and has had so far an interesting career both a writer and teacher, and more to come I hope. I have had an interesting time exploring his work so far and I am in the process of formulating a study course on Uruguayan literature (which I hope will be a good preparation for a vacation in Uruguay in 2-3 years from now).
The other course of study I am pursuing is the short Coursera offering on Australian literature, a six-week exploration of Australian literature fundamentals with a professor from the University of Western Australia. So far pretty interesting, although I have already fallen being and am trying to catch up. The first week was about varying perceptions of land and space from current and early writers, as well as from aboriginal culture. The second week focuses on the original of Australia as a penal colony and how this theme as been used in literature. The main part of the course are the video lectures and little actual reading (short extracts only) which makes it a good introduction but certainly invites one to more in depth reading. In terms of workload, it is much less daunting than the 2 previous lit courses I did on Coursera which required reading a full-size novel each week (or the equivalent in smaller works).
So, my head is all over the place… Oh well, back to reading (and cooking and housework, as it is Sunday and there are other demands on my time as well).
And here we go for the humorous link:
Sheldon (The Big Bang Theory) playing the Star Trek theme on the theremin: https://www.youtube.com/watch?v=_YYABE0R3uA